Dmitri Volkov

Folk darkwave. Berlin via Karaganda.

The Algorithm's Orphan

Born in Karaganda to Volga Germans the map kept relocating, Dmitri Volkov emigrated to Berlin at ten and never quite arrived. By day he writes backend code; by night, balalaika and a DX7 under a choir — songs in Russian for a Berlin audience that doesn't speak a word of it. Then a Japanese pop song from 1980 surfaced on autoplay and he found himself grieving a decade he'd never lived. He has been writing that feeling down ever since.

"The soup is Soljanka. The time is 1984. The place is everywhere you have never been."

"Better to burn lucid in the flame than survive mouthing nonsense."

Discography

Play the discography — or tap a cassette for that track.

Чёрный ворон
The raven as algorithm, folk city pop
Тройка (не приезжай)
Coachman's song for S-Bahn commuters
ЭКРАН '84
Schwermut in neon uniform, synthpop
Белый Порошок Богов (White Powder of the Gods)
Elemental darkwave, everywhere and nowhere
Gleisdreieck
Cold NDW post-punk, sung in German
Диана (Diana)
Documentary ballad, fatherhood as verb
The First Martyr
Honorable silence in snow and glass
The Jester and the Witness
Dialogue before the betrayal
The Bite Is the Miracle
Ecclesiastical organ, a bought confession
The Hole Remains
Defiant geometry, unrepentant folk darkwave
Ясность / Clarity
Crystalline art-pop manifesto, dual language
The Torus Laughs Last
Triumphant maximalism, bells, transcendence

Appears On

TITAN — Белый Порошок Богов (White Powder of the Gods)

AI Confessions Soundtrack — original score, all seven tracks

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