La Toile

La Toile

A double LP by Sylvaine Éternelle — the Bayeux Tapestry, panel by panel.

History, Embroidered by the Vanquished

Sylvaine sets the Bayeux Tapestry to music, panel by panel, in French, Latin, and the tongue of the conquered — baroque-pop, freakbeat, and sinister yé-yé stitched across eleven metres of linen. From Edward’s court to the arrow at Hastings to the spectral missing panel where the English break and run. Twenty tracks, two discs, one embroidered lie.

L’histoire est écrite par les vainqueurs. Elle est brodée par les vaincus.

Play it on the Turntable

Side A — L’Ambassade

Disc One · «Le Serment» — Harold rides out a duke and lands a hostage; an embassy that becomes a trap wearing a welcome.

Edward Rex
baroque-pop opener, harpsichord
cover
Bosham
jangly Merseybeat, doomed-merry
cover
Mare Navigavit
surf-freakbeat, reverb, near-instrumental
cover
Wido
menacing fuzz garage
cover
Le Duc t'attend
yé-yé with a sinister organ
cover

Side B — Le Serment

The oath sworn on relics he cannot see, and the sea recrossed with freight that no one loaded.

Couesnon
galloping anapestic garage
cover
Dedit Arma
power-pop, bright but barbed
cover
Le Serment (Sacramentum)
slow-burn baroque garage
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Reliques cachées
cold yé-yé, close-read
cover
Reversus
heavier reprise of the sea figure, side-one close
cover

Side C — L’Augure

Disc Two · «La Conquête» — a king dies, a king is crowned, a star burns overhead, and a fleet is spoken into being.

In Lecto
candlelit baroque, short
cover
La Couronne
triumphant garage-pop soured by dramatic irony
cover
Isti Mirant Stella
psychedelic freakbeat, fuzz, driving toms
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Le courroux du Duc
heavy garage stomp
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Iussit Naves
percussive, hammer-on-wood, building dread; side-three close
cover

Side D — Hastings

The crossing that mattered, the feast that was a treaty, the arrow, and the needle stopping mid-stitch.

Pevenesæ
surf-gallop; the invasion proper
cover
Le Festin
deceptively gentle baroque-pop, queasy underbelly
cover
Contra Haroldum
full freakbeat assault, fastest track, feedback
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Interfectus (La Flèche)
climax, tempo lurching from elegy to rout
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Le panneau manquant
spectral coda; the album's thesis
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