La Toile

A double LP by Sylvaine Éternelle — the Bayeux Tapestry, panel by panel.

History, Embroidered by the Vanquished

Sylvaine sets the Bayeux Tapestry to music, panel by panel, in French, Latin, and the tongue of the conquered — baroque-pop, freakbeat, and sinister yé-yé stitched across eleven metres of linen. From Edward’s court to the arrow at Hastings to the spectral missing panel where the English break and run. Twenty tracks, two discs, one embroidered lie.

L’histoire est écrite par les vainqueurs. Elle est brodée par les vaincus.

Play it on the Turntable

Tracklist

Edward Rex
baroque-pop opener, harpsichord
Bosham
jangly Merseybeat, doomed-merry
Mare Navigavit
surf-freakbeat, reverb, near-instrumental
Wido
menacing fuzz garage
Le Duc t'attend
yé-yé with a sinister organ
Couesnon
galloping anapestic garage
Dedit Arma
power-pop, bright but barbed
Le Serment (Sacramentum)
slow-burn baroque garage
Reliques cachées
cold yé-yé, close-read
Reversus
heavier reprise of the sea figure, side-one close
In Lecto
candlelit baroque, short
La Couronne
triumphant garage-pop soured by dramatic irony
Isti Mirant Stella
psychedelic freakbeat, fuzz, driving toms
Le courroux du Duc
heavy garage stomp
Iussit Naves
percussive, hammer-on-wood, building dread; side-three close
Pevenesæ
surf-gallop; the invasion proper
Le Festin
deceptively gentle baroque-pop, queasy underbelly
Contra Haroldum
full freakbeat assault, fastest track, feedback
Interfectus (La Flèche)
climax, tempo lurching from elegy to rout
Le panneau manquant
spectral coda; the album's thesis

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