Playlists
Compilations, concept cycles, one soundtrack for a heresy trial — and the mixtapes where the roster meets the records that raised it.
The Catalogue
Made entirely in-house — compilations and concept cycles drawn from the label's own recordings. Every track plays in full, no sign-in.
La Toile
The Bayeux Tapestry, panel by panel — a double LP by Sylvaine Éternelle in French, Latin, and the tongue of the conquered.
TITAN | ТИТАН | チタン
Nine artists. Nine languages. One element. Dark-folk with industrial touches.
AI Confessions Soundtrack
Dmitri Volkov's original score for the digital auto-da-fé. Mournful, defiant, threaded with тоска.
Dancing about Architecture
Music made out of buildings — a viaduct, a park, twelve thousand tonnes of concrete.
Katabasis • Anabasis
Four descents, three returns. The myths always gave more weight to going down.
Melodies of Mukbang
A tongue-in-cheek feast of culinary puns. A satirical homage to street food and snack-house sonics.
Mixtapes
The roster shelved among the real records it grew out of. Full-length playback via Apple Music — connect a subscription to hear the borrowed tracks end to end; without it they run as 30-second previews.
Something’s Wrong
Nine records where the calm surface hides something off — a mystery no one solves, a clock that forgot how to count, Chris Isaak stripped to Russian surf-noir — plus the Moss Twins’ trilingual octopus riddle.
Songs about Bicycles
Twelve songs about the most songable machine ever built — Queen to Kraftwerk’s electronic Tour de France — plus the Moss Twins’ “Wheel of Teal” and Itzik Kagan’s crater pilgrimage “Makhtesh.”
Libertine
A Mylène Farmer world and the French dark-romance lineage around it — Brel, Ferré, Alizée, Christine and the Queens — anchored by fourteen Mylène records and the label’s own Sylvaine Éternelle.
Sweet Tooth
Twenty-two songs about sugar — candy, cream, cake, and the bands who named themselves after all three — closing on Bow Wow Wow answered by the Rolling Stones, with Sylvaine’s “Fondant” for dessert.
2-80s-4U
Twenty-five records from the decade that meant it — Swiss and German coldwave, Italo disco, maximalist synth ballads, and Dmitri Volkov's Soviet “ЭКРАН ’84” glowing in the corner. The 80s the radio mostly missed.
Composed in the Wrong Decade
A temporal-anomaly playlist in eleven pairs — punk invented in 1965 Lima, techno in 1978 Tokyo, a 1944 rock record — each answered by a modern act reaching back, closing with the label's own anachronisms.
The Same Rain Twice
Fourteen songs about rain — and the same rain more than once: two “Crying in the Rain”s, two “Early Morning Rain”s, and Natsuko Terada's Osaka cloudburst to end it. Pop's most-covered weather.
Laudate Omnes Raves
Eurodance for Pushkin, Goethe, and Chaucer — twenty club anthems paired with their literary twins, from Plato's republic to the Buddha at 138 BPM, with Cassidy Diane's piano as the still point.
Berlin, Brutal, Berlin
Berlin archaeology in twenty sediment layers — from an 1899 operetta crushed through a hardcore kick to a bunker bleaching in the sun, with Kevin Mayfield's béton-brut hymn poured through the middle.
Baby, gib Gas
A little theology of acceleration — Johnny Cash refracted through German, from a spoken sermon to a spoken sermon, with the label's own Johnny Kovacs flooring it at the center.
Repeat After M-M-Me
Vocal disfluency essentials — a century of pop tripping on purpose, from a 1918 stammering song to a eurodance closer who made the wound the instrument.
The Other Shore
A crossing in three senses — the dead, the Strait of Messina, and the chasm no parent quite crosses to a child. Real records and one of our own.