Kevin Mayfield

Steinman power ballads. Bombast in Berlin.

The Frog in the Kettle

Kevin Mayfield was born in Asbury Park — Springsteen's hospital, a fact he treats as prophecy — failed three startups, heard Kraftwerk mixed into New Order in a Kreuzberg club one 2 AM in 2012, and never flew home. The music started the night he discovered he'd overpaid his German car insurance by €700 a year for a decade: by 2:14 AM he'd written seven minutes of orchestral fury — full choir, wailing guitar — about the deadline to switch providers. Printer jams get Satan. The analytics song gets ancient Greek. Every feeling arrives at maximum size, and he scores it that way.

"Wagner is too important to leave to the Germans."

"Better to burn bright and be forgotten than to dim responsibly and never have been remembered at all."

Discography

Play the discography — or tap a cassette for that track.

Der letzte Tag im November
Epic power ballad, Steinman bombast
Print Job from Hell
Psychobilly duet, gruff meets breathy
τὸ μέτρον τῶν μετρῶν (The Measure of Measures)
Orchestral 80s power ballad, Greek tragedy
Till the End of the World
Orchestral arena rock, Norse saga
Tower of Will
Organ and orchestra, liturgical weight
Tithonos Ascendant
Symphonic rock, wailing divine resurrection
Rollin' on the Richter
Symphonic power ballad, tectonic fury
Burn Gold
Power ballad, fire and bells
Strava
Orchestral requiem rock, Wagnerian fire
Sumpf, Sand und Stahlbeton
German orchestral hymn, béton brut

Appears On

TITAN — Tithonos Ascendant

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